Building a Recording Studio
When you want to build a studio, but you don’t know the first thing about recording gear…
It’s kinda tough to get started, isn’t it?
Which is why the #1 request from newbies, has always been that ONE definitive guide…
That gives them a bird’s-eye view of a fully-working, full-featured recording studio…
So they can see the “big-picture” of how it all fits together.
Yet surprisingly, not a single online resource currently exists to cover this topic in its entirety. That is…until now.
Because that’s exactly what I’ve done for today’s post, with my list of the 29 most essential items found in the recording studio.
But before we get to that, let’s start by clear up a common misconception…
The Ideal Way to Get Started
While beginners always have that natural desire to want to learn everything, right away…
The truth is…you really only need a small percentage of the gear on this list to build your first studio and start recording. And learning more than that will probably just confuse you.
So if your goal is to start taking action ASAP, I suggest reading this post instead:
Otherwise, let’s continue with the list…
- Digital Audio Workstation (DAW)
- Audio interface
- Microphone stands
- Studio monitors
- Audio cables
- Pop filters
- Acoustic treatment
- Reflection filters
- Monitor isolation pads
- Studio monitor stands
- Uninterruptible power supply (UPS)
- Software plugins
- Virtual instruments
- MIDI controller
- DAW remote
- Control surface
- Studio rack mounts
- Power conditioner
- Microphone preamp
- Headphone amp
- Monitor management system
- Direct boxes
- Snake cables
- Digital converters
- Digital master clocks
- Analog hardware
I want to start recording music at home but I don't have any equipment or software. I also don't really have any money. Is there a way I can get started without breaking the bank?
Definitely. Recording equipment and software can get really pricey when you're going for the top-of-the-line stuff, but there's so much available for hardly any money at all. With a few hundred dollars you can actually set up a pretty decent studio to start recording at home. There will definitely be a few limitations, but nothing that isn't pretty easy to work around. Before we dive in, let's take a look at what you're going to need to purchase, noting that you may not want or need some of these items and some you may be able to get for free:
- A microphone
- An audio interface
- Digital Audio Workstation (DAW) software
- A digital keyboard
- Studio monitors
This list assumes, of course, that you already have a computer. You don't need the fastest computer to record and mix music, but it should be reasonably fast. Anything with a Core i- or even Core 2-series processor should do the trick. Just don't use a netbook. If you were to buy everything on the above list you'd be looking at a budget of about $600, but you may not need it all, be able to get some items for free, save money by buying gear that is just as good used, and just skip a few things because they won't matter to you. Let's go over each option.
The microphone might be the most vital component of your home studio because the whole point of the studio is to record audio. That said, when you're shopping on the lower end you can actually get some really good mics for $100 or less. If you want to go completely bare-bones and just buy a microphone, you can pick up a USB mic like the Blue Snowball for about $70. It's really better for podcasting than it is for music and you'll have a lot of limitations when your home studio consists of nothing but a mic, but if you want to get started for under $100 then this is what you're looking at.
If you can shell out a little more money for a standard mic (and the audio interface you'll need to connect it), you'll want to concentrate on condenser microphones with a cardioid pickup pattern. (If you don't know much about microphone patterns, don't worry too much right now. This is what you want for a vocal microphone in most cases, and it's versatile enough for other uses as well.) A few good starter mics include the Studio Projects B1, AKG C2000B, and MXL 990 (if you want to go cheap). For the most part, most mics in the $100-200 range that come from reputable companies will be pretty decent.
The Audio Interface
The audio interface is what connects your mics and, potentially, instruments to your computer. It also connects your studio monitors (which we'll talk about later). A bad interface can hurt your incoming sound, so you don't want to go with something on the really low end. In fact, you're better picking up a nice interface like the Apogee Duet on the used market. (It's pretty expensive otherwise, and could eat up your entire budget.) If you're looking for something a bit cheaper, the Focusrite Saffire 6 is a good choice and will run you about $200. There are a lot of bad options out there on the low end, however, so if you're looking for alternatives be very careful and pay close attention to reviews. You don't want to end up with a crappy audio interface or it will hurt the sound of all your other better equipment.
You need software to utilize all this equipment, and the nice part is that if you bought an audio interface you probably got some for free. Many interfaces come with Cubase LE, ProTools LE, or a free version of some other popular software that will provide you with a means of recording, playing some digital instruments, adding effects, and creating a solid mix. If not, you can pick up some other stuff on the cheap or for free. On a Mac, Garageband ($15) is really your ideal option for cheap mixing. While it might seem a little limited, it's actually capable of quite a bit once you get into it. It's also a good way to learn how things work when you're new to mixing since it holds your hand quite a bit. Sequel is another option and is cross-platform, but it's a bit more expensive ($80). Reaper is a slightly cheaper option for Windows, coming in at $60. (Thanks Dane!) On the free side, Ardour is a nice option for Mac and Linux. For Windows (and Linux, of course), check out LMMS.
If you're recording live music and live music only, a digital keyboard is probably unnecessary. It's primary purpose is for playing synthesized and sampled instruments. If you plan to add sounds to your music that are generated by software, you'll need one of these. While a standard piano has 88 keys, most digital keyboards aren't very good at replicating a piano and so you don't really need one that big. (If you are trying to replicate a piano you'll need something much more expensive like the Yamaha P95B, which replicates the hammer-weighted keys of its non-digital counterpart so it feels more realistic.) Generally, for most, a 49-key keyboard will do and you can pick one up for less than $100. M-Audio makes a decent cheap option called theKeystation 49. You can also get 61 and 88 key versions if you want more, or you can get a very portable mini version with 32 keys. These keyboards don't offer much in the way of fancy features, but will be sufficient for basic input.
If you're getting something cheap, you should buy new. The keyboards aren't very expensive on the low end, you won't save much used, and the cheaper stuff isn't constructed as well as it could be. You may get a cheap keyboard that's on the verge of breaking if you buy used. If you're trying to pick up something more expensive, however, you'll be in better shape. Digital keyboards in the $500+ range tend to go for a lot less on sites like Craigslist, and their build quality is almost always sturdy enough that you'll be able to tell if you're buying a keyboard in good shape.
Studio monitors is basically a fancy name for speakers, but they're a little different. Generally when you get a pair of speakers for your computer you plug them in with a single cable even though there are two (or more) of them. They will have cables connecting each other, buy you use a stereo cable to connect them to your computer. These computer speakers generally provide colored sound, meaning the audio signal will be emphasized in some way. Nowadays that usually means a heavy bass and sharp high ends with no mid-range. Basically, you're not getting a clear picture of the sound with computer speakers. This isn't so bad when you're watching a movie or listening to certain types of music, but when you're trying to mix you don't want the speakers changing what the sound actually sounds like. That's where studio monitors come in.
No set of studio monitors are going to give you perfectly uncolored sound, and no monitors are going to sound exactly alike. That said, a decent pair will provide you with sound that's close enough to reality that you can trust what they sound like. Because they're going to be so important to your mix, you don't want to cut costs here. Buy a new pair, as damage may not always be obvious in a used set, and set aside a few hundred dollars. One of my favorite cheap sets is the Samson Resolv A6. They run about $300 and provide a very clear sound. There are other options, of course, so if you want to go searching for something else just aim around that $300 price point and you should be in good shape.
A really good pair of headphones will run you about $300, but you can get by with something less. If you're purchasing studio monitors, you can go a lot cheaper and just use your headphones for reference purposes. (Referencing just means checking what the mix is going to sound like on equipment that isn't designed for mixing and will be more like what people will hear in the real world.) While you're definitely better off mixing with studio monitors, as headphones will not give you a realistic representation of a stereo mix, if you're intent on doing it for some reason just be sure to pick a good pair. Sennheiser's HD series are very good and a pair like the HD555s can be acquired for little more than $100. They make for a good reference set, but you could get away with mixing with them if you absolutely needed to. For a little more you can grab the HD25-1 IIs. Again, mixing with headphones is not the best idea but having a good pair for reference is. For more information on buying headphones, check out our guide to picking the perfect pair.
Depending on what you buy, you're going to need a variety of cables. If all you end up getting is a USB microphone, chances are you won't need any cables at all. You might need a USB cable but generally the microphone comes with one since it's basically unusable without it. When going the audio interface route, so you have greater options, you'll need XLR cables for your microphone(s) and 1/4" TS cables for your studio monitors (and guitars, potentially). You can pick up most of these for just a few bucks each and that's all you'll really need. If you can afford an extra of each, however, it helps to have them around in case a cable goes bad.
Once you've got all your equipment you just need to hook it all up and install the software drivers (if necessary). You'll also want to install your DAW software and tell it to use your new audio interface and digital keyboard. Of course this much is obvious. You're going to need to learn a little about mixing and working with your software. If you want to save some cash, go to your local library. You might actually be surprised how many books there are on basic audio mixing. They might be a little old, but the principles haven't changed much. You'll also want to check out sites like Lynda if you want video lessons on specific software. It'll cost you a little money, but you won't have to pay much to pick up the basics.
It's also important to remember that preferences on audio gear can vary quite a bit. Most people have their favorites and there's plenty of good stuff out there. If you know a thing or two about setting up a home recording studio and have some additional suggestions, share 'em in the comments!
There are hundreds of ways to configure a home recording studio. If you’ve had a home studio for a while, then you know what I’m talking about. Over time my studio has evolved and grown in all sorts of directions. If you’re new to home recording, however, this can be almost paralyzing! You’ve got a million different products, all of which claim to be the savior of the modern world.
Where do you even start? My goal here isn’t to provide an exhaustive list of everything anyone would ever think of wanting and then give you a comparison chart that covers every minute detail of every recording product ever invented. Rather, I’ll speak from my own experience. I’ve been recording music for years, and while I’m no multi-platinum award-winning audio engineer, I do have a lot of good experience setting up home studios.
This article (or series of articles) is catered more towards the beginner, but there’s a lot of information here that could prove helpful to you whether you’ve been recording music in your home since the fifties or you have yet to record your first note. Hopefully I can shed some light on the matter and give you a broad picture of what it takes to have a great home studio. In thinking through this, I’ve come up with the following list:
12 Home Studio Necessities
Over the next twelve articles, I’ll delve into each of these. Not everyone will need everything on the list, but these are the things I’ve come to see as necessities in my home studio. You probably noticed that I’ve not included any standalone multi-track recorders or workstations. I certainly have nothing against them, but they seem to be slowly dying off with the advent of affordable computer-based recording equipment.
Nearly all of the topics I plan to cover will be applicable to standalone DAW user, so stick around. If you’re starting to freak out a little bit, tugging at your collar like George Banks in “Father of the Bride,” relax. You certainly don’t need everything on this list to get started. In fact, you could have only two or three out of twelve and be well on your way to making great recordings. I started out in high school with a basic #1, a free version of #2, and a #4 that I can’t believe I even used…more on that to come.
Recording studios are becoming increasingly more common as equipment is becoming more affordable, and many traditional components are being replicated with computer technology. However, a number of key pieces of equipment are found in most recording studios, whether amateur or professional, although some are not strictly necessary.
Computers are a central component of modern recording studios. With a computer, you can record and mix music using a digital audio workstation such as Pro Tools, Cubase, Sonar, or Logic Pro, as well as use a variety of software synthesizers and effects.
Audio interfaces allow you to connect audio devices to the computer. The ones designed for recording typically have many audio inputs for microphones and line level instruments, audio outputs for studio monitors and headphones and MIDI inputs and outputs. In most cases, they can connect to the computer via a USB or IEEE 1394 (FireWire) cable.
Studio Monitors and Headphones
Studio monitors are loudspeakers designed to reflect source audio as accurately as possible. They are typically used by producers and sound engineers to monitor audio during recording, as well as to play back audio. Similarly, headphones are necessary for musicians to be able to hear background audio such as click tracks and other instruments while recording.
Microphones convert sound waves to electrical impulses. When plugged into a computer via an audio interface, these impulses become digitized and can be recorded. Recording studios often have many different microphones for recording various types of sounds. For example, some microphones are designed specifically to capture vocals, while others are designed to capture instruments.
Rack effects apply one or more filters to audio signals to change the way they sound. Although computers can produce nearly every type of audio effect today, rack effects, particularly vintage ones, are still commonly used in professional recording studios.
Controllers are external devices used to control computer software. The most common type of controller is a MIDI controller, which has a keyboard much like a standard electronic keyboard, although it does not actually produce audio like an electronic keyboard.
Direct input (DI) boxes convert line level signals to balanced signals. They are often used to plug electric guitars and bass guitars into an XLR (the type of connection used by most microphones) input. They are only necessary if the audio interface does not have line level inputs.
Cables are an important part of any recording studio. XLR cables are commonly used to connect microphones to audio interfaces, while 1/4-inch cables are commonly used to patch other devices together.
A number of miscellaneous items are often found in recording studios, including microphone stands and shockmounts, power conditioners, furniture, soundproofing materials, vintage gear such as tube microphone preamps and a collection of musical instruments.